Agnese Cebere is an interdisciplinary artist working across video, photography, performance, and installation. She is concerned with the philosophical implications of perception and cognition in relation to embodiment and technology, as well as the performativity of the art object in the space of the exhibition and the implementation of the kinaesthetic field of both performer and audience. Whether using costume or camera to enact an altered perception and feel differently, her work stems from improvisation and explorations of site. 

Originally from Latvia, Agnese Cebere grew up in Sweden, and earned her BA in Intermedia Art at Edinburgh College of Art, Scotland. She graduated with an MA in Media Studies from The New School in New York in 2018, where her research focused on embodiment and technology as they converge in screendance. 

She is now based in Eugene, Oregon, where she worked as an instructor in Art at the University of Oregon from 2022–2025. She served as Program Director at Eugene Contemporary Art from 2019–2023 and graduated with an MFA in Art from the University of Oregon in 2022. She is currently a member of Ditch Projects and an instructor of art and art history at Linn-Benton Community College.

Cebere’s work has been included in exhibitions and screenings in the United States and internationally by the Center for Art Research, Eugene, OR; Stove Works, Chattanooga, TN; Light Moves Festival of Screendance, Limerick, Ireland; Explorations of Now (Kultivator & Cullberg), Sweden; Otion Front Studio, Brooklyn, NY; Wassaic Project, NY; Umpqua Valley Arts, Roseburg, OR; Scalehouse Gallery, Bend, OR; Newledo Exploration Hub, Newport, OR; Carnation Contemporary, Portland, OR; Ditch Projects, Springfield, OR; and online in Dismal Sessions 001–021 by Most Dismal Swamp, presented by Silicon Valet and New Art City; Flat Journal, and elsewhere. Her research has been published in HUB – Journal for Research in Art, Design and Society, and AN-ICON: Studies in Environmental Images.